International Corps Associates
International Corps Associates (ICA) was founded by John Collum in the late 1970s following the demise of the Red Carpet Association. The organization was formed, like RCA, to provide a competitive forum for those corps which were unable to compete at the DCA level. Vince Bruni was president of the organization in the mid-to-late 1980s.
Some of the contests were held in Altoona, Butler, Midland, Williamsport, and Warren, Pennsylvania, and Guelph, Ontario. Other sites included Cape Vincent, New York, Towson, Maryland, and Quebec City, Quebec.
ICA had no official with DCA. There were times of friction between the DCA and ICA leadership, such as in 1985 when ICA proposed boycotting the DCA prelims. The proposed boycott resulted from what ICA perceived as unfair treatment and scoring of ICA corps by DCA and its judges at prior DCA championship events, and no appearance fees or sharing of revenues for/among the ICA corps from the championship. ICA believed that, without the participation of their corps in DCA prelims, DCA could not offer its fans a valid World Senior Championship preliminary contest. The boycott never took place (all but one ICA corps attended DCA prelims) and the Empire Statesmen achieved DCA membership for the first time (taking the spot vacated by Archer-Epler Musketeers, who dropped out of field competition following the 1984 season).
On rare occasions, a DCA corps such as the Sunrisers or Buccaneers would compete in an ICA-sponsored contest. These contests often flew in the face of the DCA rule (at the time, and perhaps even now) that "two DCA corps constituted a DCA contest".
ICA had some rather unique rules that included an "Entertainment Value" caption that was scored on a 6-point "must" system (6.0 for the top corps, 5.0 for 2nd, 4.0 for the 3rd, etc.) and allowed for an amplified electric bass guitar (often used by corps which did not have, or could not afford, contrabass bugles). For ICA Championships and contests of more than seven corps, the Entertainment caption broken down into half-poit increments (6.0 for 1st, 5.5 for 2nd, 5.0 for 3rd, 4.5 for 4th, etc.). The arithmatic emphasis of the scoring was on music and general effect, in opposition to systems in place elsewhere that more favored "M&M execution" and the difficulty and percussion captions.